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Light of the Stereo

Light of the Stereo

Monday, June 20, 2011

10 Questions: Kasey Anderson


1) What excites you the most about your new album Heart of a Dog?

KA: The fact that it sounds like a band, not a "singer-songwriter" backed by studio musicians. Making the record was a collaborative effort, and I think that comes across clearly. This is not to say that the previous records weren't also collaborative efforts - they were, very much so - but Heart of a Dog sounds like four guys in a room playing, because that's exactly how it got made.

2) What is the significance to the album title, if any?

KA: The album's title is taken from the title of a novella by Mikhail Bulgakov, which contains a passage I really love:

"By kindness. The only method possible in dealing with living creatures. By terror you cannot get anywhere with an animal, no matter what its stage of development. I’ve always asserted this, I assert it today, and I shall go on asserting it. They are wrong thinking that terror will help them."*

*That sums up my general worldview pretty well.

3) In Heart of a Dog I can hear the influences of electrified Bob Dylan and the blues of The Rolling stones. Do you have any musicians that inspire your work but with whom your music shares no resemblance?

KA: Plenty. Mos Def, Thelonious Monk, Slayer, The Runaways. There are too many to name.

4) The past three years you’ve been consistently productive, releasing an album a year. Do you foresee a continuation of this momentum or are you ready for a break?

KA: I think I'll probably slow that pace down a bit over the next few years so I can catch my breath.
On the other hand, given the way I lived for most of my young adulthood, I'm pretty fortunate to be alive. I'm also very lucky to have this job. I'd rather not take either of those things for granted.

5) Name 3 locations in the Portland Area that can be or have been the best inspiration for a song?

KA: I think the city of Portland is inspiring in general, in that than the weather keeps people inside for the majority of the year, which gave me an excuse to hole up and write for weeks at a time without feeling like a recluse.
Aside from Nowhere Nights, my records are largely works of fiction. There hasn't really been a lot of, "Here's a number about the ol' neighborhood," and I'm not sure there ever will be. I'm not typically compelled to write that way.

6) If it was just you and your guitar in what Portland venue would you enjoy playing the most?

KA: I love Mississippi Studios, Doug Fir, and the Aladdin Theater.

7) So what happens to the materials that do find their way into songs? Having a storyteller’s style to your song writing, dose it find its way into different formats like prose and poetry? Or is it the other way around?

KA: Plenty of influences work their way in, sure. But I think that's just the nature of writing; it's difficult not to have the things you take in influence the things you put out. Nobody's writing in a vacuum. The hope is that you're able to find your own voice and filter those influences through that, instead of letting them dictate your voice.

8) In your arsenal of instruments, do you have favorite Guitar? If so, what brand is it? Dose it have a name? What’s the story behind it?

KA: I've got a 1964 Gibson J-45 I play at home; it's never seen the stage. I just bought a Rickenbacker 330 that I like a lot. I don't name my guitars, no. I had another J-45 - one that was given to me by one of my closest friends - that I left at an ex-girlfriend's house while I was on tour and she sold it, so I try not to get too sentimental about instruments.

9) The summer touring season it coming upon us quickly and I see that you’re playing several festivals including Bumbershoot and the Slowroots Music Festival. What it is the music festival you’ve enjoyed playing the most and what festival would you like to play in but haven’t had the chance to yet?

KA: We had fun at SXSW this year, the most fun I've had out there, anyway. Festivals can be tough because there are so many moving parts. I know for people who attend, the festivals are supposed to be an orgy of music and debauchery but, for bands, that's not the case. We played nine times in three days at SXSW this year; it was exhausting.

10) Name 5 bands you love but who few people have heard of?

KA: There's a band from Bellingham, Washington called Federation X;

Star Anna and the Laughing Dogs from Seattle;

70 Proof, also from Seattle;

Then there's Radiohead and The Beatles. I think those last two bands are from Germany.

Tuesday, June 14, 2011

Tuesday Double Feature: The Civil Wars "Poison & Wine" & Sarah Black wood "Lonely Parade"

Welcome again to another installment of Tuesday Double Feature.
This week we have two amazing songs by performers that couldn't be more different.
But differences matter little when the art created is this beautiful.

So take a gander and then share it with all your friends.

The Civil Wars "Poison & Wine"

Simple and lovely, the imagery of this video is a perfect compliment to this devastatingly beautiful song.



The Civil War will be playing the Aladdine Theater on June 21, check out the Triple Crown to read all about it.

Sarah Blackwood "Lonely Parade"

As for video's, I've seen better but this song will haunt you in ways the dead or regrets never could.



The lead singer of the rockabilly band The Creepshow, Sarah Blackwood has an amazing voice and once I heard this song I knew I wanted to share it with everyone who would listen.

Sunday, June 12, 2011

The Triple Crown: 06/14 - 06/27

This Triple Crown is filled with returning legends, rising stars, and enough good music to keep you sated for a while. With the summer weather taking its sweet time getting here to the Northwest, you don't have to feel guilty about staying in doors for a bit longer. So enjoy.

Wednesday, June 15th
Jason Isbell & The 400 Unit
Maria Taylor/Kasey Anderson
Doug Fir Lounge
830 East Burnside
Doors: 8PM/ Show:9PM
Adv.:$15/Day of:$16
21 & over

One of the great truths I learned by the dim light of the stereo is that there are few things in this world more honest and compelling than a Southern songwriter. Portland is blessed to have one of the newest and greatest of these velvet tongued gentleman grace our streets when Jason Isbell plays the Doug Fir this coming Wednesday. Have earned his chops as one of the stellar song writing team of the hard rocking Drive-By Truckers, Isbell has no problem holding his own when it comes to creating amazing songs. The last few years he's been perfecting his craft piloting his own band the 400 Unit. Known for a blue collar honesty that's at time raucous and other times bitterly heart breaking Isbell and his band have captures the power of Tennessee river at flood stage and the strength of mill workers hands.
Opening the night is the storytelling mastery of Portland's own hometown troubadour Kasey Anderson. With an amazing skill of narrative Kasey has earned himself soft spoken comaprisons to the likes of Bruce Springsteen and Bob Dylan. With company like that you can believe that he can hold his own. Joining them on stage is the satin-voiced Maria Taylor. Like Isbell, a fellow Alabama native, Taylor makes songs that range from yearningly soulful to playfully lighthearted. Her sultry vocals will bring a lovely feminine touch to the night. At 16 bucks this show is a steal, so gather a friend or two and make sure you order up some smooth Southern Bourbon to start your triple crown off right.

Tuesday, June 21st
The Civil Wars
James Vincent McMorrow
Aladdin Theater
3017 SE Milwaukie Ave
Doors: 7PM/ Show: 8PM
Adv.:$15 /Day Of:$15(Sold Out)
Minors Accompanied by Parent

Emotionally raw as the exposed nerves of broken teeth the music of the Civil Wars is brutally honest and mournfully heart breaking. Minimalistic in the extreme, the achingly beautiful songs this Nashville duo create with just the smokey voice of Joy Williams and the picking of John Paul White on guitar are awe inspiring. You need to catch this band now as their star is rising fast. The last time they were in town they played the Woods and now headlining the Aladdin theater; with this trajectory soon they'll be playing the bigger venues where the intimacy of their live show won't be as personal.
Opening the night is the folksy soul of Dublin Ireland's James Vincent McMorrow. Having come across the pond with his unique style of high mournful dirges and energetically danceable songs, McMorrow excites near mystical visions of the misty isles and the wonderful people who populate them. Perfectly matched, these two bands are sure to enhance each other and the over all experience of the show, the way the right glass of wine paired with a meal will make the experience of both more enjoyable.
This is a must see show. You'll hate yourself if you miss it. So do whatever it takes to get a ticket, remember you can live just fine on one kidney.


Wednesday, June 22nd
Meat Puppets
Bad Weather California/The Black Box Revelation
Doug Fir Lounge
830 East Burnside
Doors: 8PM/ Show:9PM
Adv.:$16/Day of:$18
21 & over

As godfathers of proto-punk and forefathers of grunge, there would be no Nirvana without the The Meat Puppets. Having been born of the raw, guttural fire of punk rock these mad genius of auditory experimentation have molded and warped the fabric of music for over a decade. Touring in support of their newest album Lollipop, a collection of wonderfully crafted tunes so unique in their style that they defy classification. Exotic is the music that has returned with the Meat Puppets to the stage and I can't wait to see it live.
The supporting acts are sure to turn this night into a gritty psychedelic free for all. The distorted gutter blues of The Black Box Revelation is the awkward love child of two-part broken blues and underground indie rock. Drenched in copious amounts of gain and fuzz-effect this band makes songs that make you want to groove in all sorts of dirty ways. While Bad Weather California is a trippy cornucopia of musical styles that seem to be part Bob Marley and part The Grateful Dead. Swirling all these elements together this band has created a tie-dye of sound that will make you want to grab a beer and listen to them for hours.
So make sure to catch this return of legends to the stage and the rest of these great shows. If you can't do it for your self, do it for the music.

Saturday, June 11, 2011

Honorable Mention: Pitchfork Motorway

Pitchfork Motorway is built for power and speed. Mixing high octane guitars with an oil smoothed low end that punches like pistons firing overtime; this band has been fighting the good fight in the bars and clubs of rain drenched Portland Oregon since 2008.
With an apparent need for speed, musically the boys of Pitchfork Motorway put the foot to the floor and don't let up. Raw and aggressive front man Barry Williams dose more with three chords than Einstein could have imagined in all of his quantum thinking. Backed by the thick bluesy smut of Shiggy on lead guitar, who can peal iron from ore with his vicious licks. While the on the rhythm end, keeping the mad timing of the band is Doug Layton's drum attack that's worthy of state ordered anger management and the rambunctious bass fills and on stage antics of Swede reveals him as the obvious love child of Paul Simonon and a kangaroo. This foursome is a wildly fun band whether live or recorded. Their 2010 debut self-titled album is a hyper-speed collection of great tunes that captures the bands fun loving punk energy.
If you don't know about them yet make sure you take the chance to, as this band is well worth mention.

Here's a little of what they have to say about it:

BLS: Putting asidemoney and notoriety, what is it that you'd like to accomplish with this band? What makes you continue to do it day after day?

PM: I feel we have already accomplished what we set out to do. Initially all we wanted to do was to be part of the Portland R'n'R community and now I feel that we are. In the future we would like to grow our audience as well as our presence in the press. We also want to continue to release our music ourselves; desiring to release 1 album a year starting with last years self-titled CD.
As far as why we continue? We are four guys that never grew up and are still chasing a dream. Also it is a wonderful excuse to hang out with your buddies and drink beer. The only time we ever question continuing what we're doing, is in the morning when we have to crawl out of bed and go to work after a late night.

BLS: In your own words how would you describe the sound of your band?

PM: I would have to say we have a lot of Ramones influences in our music. I learned the guitar playing to the Ramones and after 20 years I haven't really gotten away from the 3 chord progression. Shiggy on the other hand is a very skilled guitar player and is influenced a lot by Johnny Thunder. All the raw bluesy energy comes across in his style of playing and which complicates the band very well.
Doug, our drummer, just beats the hell out of the drums at all times with an explosive energy. He just doesn't know how to play softly which also works for us. I had another drummer describe his style and similar to DJ Bonebraker from X.
The final piece of the puzzle is our newest member and bassist The Swede. His style changes from song to song and plays with a lot of spirit, heart and soul. He has also nailed the art of jumping.
So to describe our sound of the band I would say: The Remones meet Johnny Thunder while partying with X and jumping around a lot.

BLS: You always have great flyers ad posters for your shows. Why do you work so hard to cultivate the visual persona of your band? Do you guys do them yourselves or dose someone else do them for you? Who?

PM: Swede is in charge of the fliers. He has a brilliant and twisted sence of humor and is an Art school grad. We did the math and he was hired on the spot as the flier guy. He is very fond of monkeys and congenital twins and these things come across in his art.

BLS: If you could design the perfect concert to showcase your band and other local acts. Who would be your dream lineup and at which venue would you hold it?

PM: We'd like to do one of those parking lot shows that Centaur Guitar dose each summer, where it's and all day and night event. It's fun because they showcase so many Portland bands and the PBR is flowing.

BLS: I know that there is an endless list of great Portland bands, but give me the name of three bands worthy of mention?

PM: The Vacillators

Thundering Asteroids!

The Food (Which Sweed fronts.)

Tuesday, June 7, 2011

Tuesday Double Feature: Girl in a Coma "Walking After Midnight" & The Creepshow "The Garden"

This week we have two beautifully crafted videos. Their stylized imagery is a morphed representation of 50's Technicolor, with deep saturated colors that blends perfectly with these rockabilly tunes.

So grab a soda and don't worry about the size, cause I'm sure you can hold it until intermission.

LinkGirl in a Coma - "Walking After Midnight"

An ode to Patsy Cline, who like Girl in A Coma, kicked ass in her own way.



Girl in a Coma played a wonderful show last night with Detroit Cobra here in Portland. Check out the show review that will post later this week.

The Creepshow -"The Garden"

This gem from 2009 is by a great little band from up North. "The Garden" video was the final appearance with former lead singer Jen "Hellcat" Blackwood. Luckily she left the band in the very capable hands of her younger sister Sarah "Sin"Blackwood.




The Creepshow has a new album "They All Fall Down", that just came out this last October. This summer they're making the rounds on tour, so check them out if they come your way. Unfortunately they're skirting the Northwest, but maybe sometime soon they'll make it up our way.

Tuesday, May 31, 2011

Tuesday Double Feature:Mona "Teenager" & The Detroit Cobras "Cha Cha Twist"

This weeks Double Feature includes videos by 2 awesome bands gracing Portland with their presence next week.

First up:

Mona - "Teenager"

An amazing song by this Nashville band set to very sensual imagery.



Mona will be opening for Airborne Toxic Event at the Crystal Ballroom on June 9th.
Check out the show preview in The Triple Crown:05/31 - 06/13

The Second video:

The Detroit Cobras - "Cha Cha Twist"

This is a fun little video and a prefect teaser for their upcoming show.



The Detroit Cobras will be playing at Dante's June 6th. Make sure you get your tickets early because they're sure to sell out fast. You can also read more about this show in the latest Triple Crown.

Tuesday, May 24, 2011

The Triple Crown : 05/31 - 06/13

This Triple Crown holds so much awesome music my head might just explode. We got rocked-up Motor City Soul, a free show by alt-country royalty, and an opening slot by a new band that's going to change your life. So fight the weekday weariness and grab your friends, because this Triple Crown is all top shelf.

Monday, June 6th
LinkDetroit Cobras
Girl In A Coma
Dante's
350 West Burnside
Doors:7PM /Show: 8PM
Adv.: $13/Day Of: $15
21 & Over

When you smelt together the meaty aggression of garage rock and and the powerful depth of Motor City soul, what you get is the Detroit Cobras. Putting the bump and grind back into soul since 1994, this raw and wild band has been re-energizing covers with just the slightest of punk rock magic. Possibly the whitest soul sister to ever grab a mic, Rachel Nagy leads this wild bunch of musical wizards. Her dynamically distinct voice has a swagger to it that can stop a raging bull in it's tracks and turn boys into men. You need to know about this band, your world will be better for it. If you already know of them, then what are you doing? Get off your asses and tell everyone you meet to make it to this show.
Opening the night is Girl in A Coma, a trio of lone star natives who combine a voice like Patsy Cline's and the attitude of the Runaways. Like thunderstorms rolling in off the Gulf of Mexico, their music is a haunting mix of beauty and force. A match made in heaven, I can't think of a better band to open for the Cobras. So break your curfew and know this show is well worth the drag of a tired Tuesday morning.


Thursday, June 9th
Mona
Airborne Toxic Event(Headlining)
The Crystal Ballroom
1332 West Burnside
Doors: 8PM/ Show:9PM
Adv.:$17.50/Day Of:$20
All Ages

It's been a long time since I've been this excited about a new band. With sweeping near spiritual rock'n'roll, the music of Mona reminds me of a younger, hungrier U2. Mixing bold atmospheric guitars and emotionally charged vocals, this is powerful stuff. Rich with influences as dynamic as Jeff Buckley and Joshua Tree era Bono and The Edge, this is music for the ages. Able to touch their listeners on so many levels, likely this band will change the world. Fresh from conquering Europe, Nick Brown and the boys have returned home to claim their county of origin. I say let them come, because their opening slot is well worth the full price of admission.
Headlining the show is the full bodied mood rock of The Airborne Toxic Event. From building heartbreak ballads to power rocking numbers that have just an aftertaste of Neil Diamond sweetness, their diverse style is sure to hold something for everyone. No matter how you look at it this is an awesome show and should not be missed.

Sunday, June 12th
Bobby Bare Jr.
Carey Kotsionis
Lola's Room @ The Crystal Ballroom
1332 West Burnside
Show: 7PM
Cover: Free!
21 & Over

A prince of country music royalty, Bobby Bare Jr. has the blue-blood of songwriters in his veins and the rebellious spirit of rock'n'roll in his heart. Combining the two, Bare Jr. creates rich heartfelt songs and a live performance so electrifying that no one should miss it. Personally influenced by the likes of Shel Silverstein and an A-list of Nashville legends more impressive than the guest list of the C.M.T. awards, he is one of a kind. Innocently playful and powerfully heart breaking his music has a wonderfully unique flavor that leaves everyone who hears it yearning for more. Joined by long time friend and frequent touring partner Carey Kotsionis this free show at Lola's Room is a necessity for anyone that loves music. Kotsionis is a wonderful singer and songwriter herself. With the soul of a young June Carter she sings little country flavored folk tunes that make you smile or weep. If Bobby Bare Jr., was Bob Dylan with his amazing music and wild hair, then Carey Kotsionis could be his Joan Baez.
Do I have to mention again that this show is free, because baring catastrophic disaster or personal dismemberment there's no reason you should miss this show. So top off you Triple Crown with a freebee, your wallet and your ears will thank you.