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Light of the Stereo

Light of the Stereo

Sunday, February 24, 2013

Confessions of the Dangerously Uncool - Rocksmith Review




                Over the years I’ve had what I’d call a dalliance with the guitar.  My sophomore year of college, for Christmas I received my first guitar, a Squire Strat.  For those unfamiliar with the brand, let me put it this way, if Fender were a grocery store, this would be the Western Family of guitars.  Nice guitar, nothing to brag about, but also not some weird Rainbow Foods variety of guitar that you’d see Jack White playing either.  

                So like all aspiring young guitarists, I bought myself a guitar book, and got really good at the first couple of chapters.  Which means, I can play the heck out of the A chord, C chord, G chord, D chord, E chord, as well as A and E minors.  If I’m in room with just myself and a guitar, I can play enough to sound competent.  I can play enough that I played guitar on 4 self-produced (by the drummer) and lightly released albums that range from awesomely bad, to just plain bad.  As Clint said, “A man’s got to know his limitations.”  That really is the long way around, and in honor of Homer Simpson, I’ll skip to the chorus, my guitar ability has stagnated.  

                This weekend in an act of desperation, or maybe just boredom, I purchased the game Rocksmith by UBISOFT, a game that decided to take the premise of games like Rock Band and Guitar Hero and marry it with a real guitar.  The results is a hybrid between a game and a teaching aid.  

                Full disclosure here, at this point I’ve only logged a couple of hours on the game, but I think I’ve seen enough to discuss Rocksmith as a teaching aid.  My feelings are pretty mixed.   The good of it, is it has gotten me to pick up the Guitar for several hours over the weekend.  I’ve even learned a couple new chords, that I’m sure I’ll forget  in couple weeks (don’t worry open A, I still love you).  It has a chord book for each song, and a techniques section that seems pretty useful.  

                  On the other hand I don’t really like the approach they have taken to teach guitar.  I feel very much like Daniel Son waxing Mr. Miyagi’s cars.  Instead of starting with songs that are easy to learn and giving you the entire piece of a song, the game starts with giving you portions of riffs as you play through entire songs.  Presumably as you get better the game gives you more and more pieces of songs.  I’m still on level suck, so we’ll see if that holds true or not.  Which means, I’ll have to pretty awesome to play a single song.  For a person that needs to see tangible results, I can see myself losing interest pretty quickly, unless of course Mr. Miyagi comes and saves me from skeleton dressed hoodlums that is.  

                I also find navigating the game a little clunky at times as it seems I have to do a bunch of backing out of portions of the game to get to spots I’d like.  I worry the game’s interface itself might cause some to focus more on visual cues than the rhythm aspect that is so important to playing guitar, especially in level suck where it can be hard to find the rhythm when you are playing such small snippet of individual parts.  

                Overall I think it would have been better served trying to be less of a hybrid, and be more of a true teaching aid.  The technology is cool, and this style of teaching may work for some, but I’m dubious of the results I will get.   The good news is I'll probably turn it back on after I post this piece, so it hasn’t completely lost my interest.    

Monday, February 18, 2013

Tuesday Double Feature: Amanda Palmer & The Grand Theft Orchestre "The Bed Song" & Brooke Annibale "Middle of the Mess"

With last Thursday being Valentine's Day we wanted to dedicate this week's Tuesday Double Feature to the reality of love. It's still great and fulfilling but it's also hard work and a little bit messy.  

Amanda Palmer & The Grand Theft Orchestra - "The Bed Song"


Powerful and amazing Amanda Palmer continues to reveal the the unending breath of her talent as both a singer and performer. This latest video is another jewel in a long line of powerfully cinematic presentations of her songs. Make sure you pickup her and her band's latest album Theater Is Evil.

Brooke Annibale - "Middle of the Mess"


Nashville transplant Brooke Annibale is an artist in transition. Not only has she uprooted to a new hometown but she is also expanding the acoustic songwriting of her first album. Experimenting with a more elect sound on her latest EP Words In Your Eyes, Annibale is showing growth as an artist.

Cure for the Mondays: Gold Feilds - "Tree House"

Gold Fields - "Tree House"

Jazzersizers and a guy in a unicorn head. If that don't cure the Mondays nothing will.



The rising act from down under Gold Fields, is quickly building a name for themselves. With a refreshingly throw back new-wave sound the band will see the North American release of their debut album Black Sun on the 26th of this Month. Currently in the midst of their U.S. Winter tour the band will be in Portland on Monday February 25th and the Crystal Ballroom. Check them out be for they get much bigger.

Wednesday, February 13, 2013

Living Room Performance: Jim James - "A New Life"

Jim James - "A New Life"

Late Night with Jimmy Fallon

February 4th, 2013




Having spent close to 20 years as the lead singer and songwriter of My Morning Jacket, Jim James has recently released his debut solo album Regions Of Light And Sound Of God on ATO Records. A soft spoken acoustic soul, James solo material is a powerfully haunting thing. This performance of his lead off single with a fifteen piece band is awesome to watch. If it gets you excited to see James live, you'll get your chance May 14th at the Crystal Ballroom.

Tuesday, February 12, 2013

Tuesday Double Feature: Dog Bite "Prettiest Pills" & Unknown Mortal Orchestra " So Good At Being In Trouble"

Covens and cults, it seems like it's a bad day to be a guy. This Tuesday Double Feature is a little on the dark side. Whatever you do, don't drink the kool-aide. 

Dog Bite - "Prettiest Pills"



Having made a name for himself under the monicker  Dog Bite, Phil Jones puts forth his debut long-play album, Velvet Changes on Carpark Records. Look for him at the Wonder Ballroom the 28th of this month supporting fellow label mates Toro Y Moi.


Unknown Mortal Orchestra - "So Good At Being In Trouble"



Portland Oregon based Unknown Mortal Orchestra is celebrating the release of their latest album II with this trippy video that stars none other than McLovin. A perfect representation of their warm psychedelic soul. The band will be touring in support of their new album but unfortunately we'll have to wait until April before we see them back home for a show.

Monday, February 11, 2013

Cure for the Mondays:Flynt Flossy, Yung Humma & Whatchyamacallit - "Treat Me Like A Pirate"

Flynt Flossy, Yung Humma & Whatchyamacallit - "Treat Me Like A Pirate"

Who dosen't want pirate booty?



I've been rocking the Pirate love long before it was in fashion, so this video cracked my stuff up. Flynt Flossy, Yung Humma and Whatchyamacallit collectively make up the hip hop label of Turquoise Jeep Records. If this dosen't make your Monday a little easier you need to turn your computer off and tell your boss you're going home because you have to be sick. Oh and to all you ninja people: Suck it!

Friday, February 8, 2013

Brought To You By the Letter C



Brought To You By The Letter C:
Copyright and Creative Commons

            When it comes to music, the big C doesn’t stand for cancer, but copyright.  Copyright is the reason downloading music illegally is a crime.  Somebody was nice enough to give it a cool name, piracy, yarrr matey, but it’s still a crime.  On the surface Copyright law makes a bunch of sense.  It’s way to incent people to be creative, and reward them for their work.  The founding fathers agreed that a reward system was needed, to incent creation, but also understood that the system could go too far and end up stymying innovation.  What they also realized is that creativity often relies on use, criticism, supplementation and consideration of previous works.  Thus they believed that copyright law should be structured in a way that would give authors a monopoly just long enough to create more (Vaidhyanathan, n.d.).  It was with this in mind that the original copyright law was good for one term of 14 years, and you could apply for a second term if you felt it was warranted.  After that the works entered the public domain.

            What is the public domain you ask?  Basically, once a work’s copyright has expired, or the author has designated it public domain, the work becomes free to reproduce in any form, whether you’re talking about just a plain copy, or turning a book into a movie, or writing a new book based on the characters, covering a song, or using a sample from the song to create a new one.  In other words, free to all, and in the words of F'n' Lou from Fight Club, “aint that something.”

            And it is.  The problem is the laws have changed drastically since the countries inception.  Now a copyright is good for the life of the Author plus 70 years, or if the work was commission by a corporation, 95 years (“How long does copy protection last?” 2010).  What this means, is less and less things are hitting the public domain,  which in turn means there is less clay for us to mold new works.

            It doesn’t have to be this way.  The digerati have come up with a system that allows more open sharing of works with in the current system.  This is called Creative Commons.  The way Creative Commons works, is it allows creators to assign shareable rights to their work.  Meaning you can allow your work to be used if credit is given to you.  You allow your work to be used if it’s not used for commercial purposes.  You can also choose whether you will allow people to alter your work, or if you only want it to be used verbatim.  

            You may ask yourself, why would I go through the trouble of sharing work in this way?  The reason is it helps supplement the material that is no longer flowing into the public domain.  It also allows for a more collaborative environment.  It allows your work to live on past its original use.  Wouldn’t it be cool if you produced a song, and found it was used in a student film, or a sample of it was used in somebody else’s song?  These are the sort of things that can happen when using Creative Commons.

            Still a bit foggy on the concept, below are a couple of You Tube clips that do an excellent job of explaining Creative Commons. 




Creative Commons Website:  http://creativecommons.org/

References

How long does copyright protection last?  (2010, March 10).  Retrieved from http://www.copyright.gov/help/faq/faq-duration.html.

Vaidhyanathan, S.  (n.d).  Copyrights and copywrongs:  Why Thomas Jefferson would love Napster.  MSNBC.  Retrieved 2012, February 2 from http://puna.net.nz/archives/social/copyrights%20and%20copywrongs.htm