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Light of the Stereo

Light of the Stereo

Wednesday, December 5, 2012

10 Questions: The Last Bison



Virginia based The Last Bison mix traditional folk with elements of classical orchestral instrumentation to create their unique style of music. A seven piece, this large musical family is striving to expand the geographical stretch of their audience with the release of their latest Inheritance EP.   They took the time to talk to us about their music and what else lies ahead for the band.
       
BLS: Tell us a little about how The Last Bison got its start?

LB: Many of us in The Last Bison grew up together creating music as family and friends. We would create and play music at home and in church, so we were familiar with playing together. Ben started the group after returning home from a year of school in northern England. He began writing songs and we (Dan, Annah, and Andrew) started arranging and performing the music wherever we could get an audience. Teresa and Amos joined later adding the strings element and Jay, who was at all of our rehearsals, simply started playing things we didn’t have enough hands to play.
After making some connections with local bands, we were offered a spot at a local showcase at the NorVa (Norfolk, VA) which gave us exposure to local radio (WROX / 96X) It all happened very fast and very organically. We are amazed that what started in a very homegrown sort of way, in less than a year lead us to recording with Universal Republic and the larger opportunities we have today.

BLS: What is the significance of your band’s name?

LB: Ben came up with the name Bison while in high school even before he had a band. He loves the whole late 1800s vibe, and culture of the westward expansion. Later we took the name on, loving its strength and how it is an American icon. We think it captures the coupling of tradition and new frontiers in our music. Expanding the name to The Last Bison came after realizing there were a handful of other artists using Bison. We discussed various options including total name changes but landed on The Last Bison being what we thought was even a stronger symbol of heritage (another theme we love.)

BLS:  Your band has seven members in it. What is the hardest part of having so many members on tour and in the studio? Any benefits?

LB: It’s a tight fit when we squeeze 7 band members along with a few support people into a van for long periods of time. The close quarters with very little time away from each other can create tension. It certainly creates opportunity to live in community, practice patience, and learn to accept and live with personality differences and the various needs of each person. Opinions vary not only artistically but even when it comes to what to eat, where to sleep, how clean the van should be, and what music to listen to. It’s a continual process of learning to love and like each other!

BLS: It’s been a year since you released your debut album Quill. Has the band evolved or changed any during this time? How So?

LB: We have certainly developed a more cohesive sound in live settings. We’ve grown deeper in our understanding of one another on personal levels that translates into live performances musically being more creative and tight. There is a spiritual side of the band as well that we are trying to cultivate, though touring makes this difficult. We feel that the more spiritual community we share as a band the stronger our music will be.

BLS:  What does the rest of 2012 have in store for the band?

LB: Some tour dates, a few local Christmas shows to support the Foodbank of Southeastern Virginia, and hopefully some time for creating and writing new material!

BLS: You have found success in your hometown region? As you focus on gaining attention on a more national level what are the greatest obstacles you face?

LB: Touring is rewarding in many ways. Meeting new people, performing in new cities, and sharing our music and art is exciting. However, touring is also very tiring, and we recognize the need for down time and ample opportunity to be home with friends and family. Keeping up with the pace is certainly an obstacle.
We also recognize that we are playing Indie Folk music which has seen a definite rise in popularity over the last several years. This is an opportunity and an obstacle. We do not want to simply be seen as riding the band wagon so to speak. We feel our music is unique enough to stand on its own and hope it will be embraced for its own merit.

BLS:  Recently, you had the honor of having your song preformed by Hickory Middle School in Chesapeake, Virginia. Was any of the band members involved in school music programs? How did it prepare you to be a commercial musician?

LB: Many of the band members were involved in piano, voice, and orchestra with lessons and recitals. Amos (Cello) and Teresa (violin) were both involved in Bay Youth Orchestra as well as regional and state orchestra and did side-by-sides with the Virginia Symphony Orchestra. Teresa says that having to play for Concerto competitions prepared her to play her best in front of audiences. She would add that practicing hard is important to performing well.

BLS: Having spent time in Virginia I know the ongoing argument of Northern Virginia versus Southern Virginia. How would you say this argument plays out in the area of song writing?

LB: We may be somewhat ignorant to the ongoing argument. We are deep in the southeast corner of Virginia and maybe have been sheltered from such discussion. We love Virginia however. We love its history and heritage and are proud to be from the Mother of States. We certainly draw inspiration from the land and history of the place we call home. And although the state we call home is blanketed with battlefields, both historic and political, we would say that our music is less about tension and argument and more about the wonder of life and the beauty of relationship within the context of love and faith.

BLS:  Virginia has a long standing tradition of folk music. How much does Last Bison draw on this tradition? From what other main sources do you gather material for your music?

LB: Though we do not play bluegrass standards (nor could we,) folk music and the simple, narrative style of Appalachian music certainly influences our song writing. Ben claims that hours of hearing Allison Kraus and the Carter Family along with southern influenced guitar styles strongly influenced his love for roots music. Another very strong influence is classical music. When Amos and Teresa joined The Last Bison we knew we did not want to add fiddle or folk influenced strings, but rather wanted to maintain the classical sensibility that they brought to the music. The end result was a blending of the folk tradition with classical sensibility, poured into a pop-rock container.

BLS:  Name 5 bands you love but who few people have heard of?

LB: 
Clogs

Django Reinhardt

Deep Sea Diver

The Soil And The Sun

Heathers

Tuesday, December 4, 2012

Tuesday Double Feature: Lana Del Rey "Born To Die" & Tristan Prettyman " My Oh My"

Beautiful women and exotic cats, is apparently the theme of this week's Tuesday Double Feature. I don't know that I planed it that way but we'll run with it now.

Lana Del Rey - "Born To Die"



The ache of Lana Del Rey's voice holds a beautiful sorrow. Combined with lush musical arrangements her music has a power and grace that is almost classic in nature. Like old Hollywood with it's lovely facades and dark secrets, Del Rey's music is unforgettable. Having released the Born to Die: The Paradise Edition in November. This deluxe edition collects all of her singles and packages it with originally unreleased material. It's a must have for fans and new converts alike.

Tristan Prettyman - "My Oh My"



The sultry blues of Tristan Prettyman is empowered with her bold vocals and a dynamic beat. Fresh on the heals of her latest release Cedar+Gold, Prettyman is in the midst of a North American tour. She'll blow through Portland in late January with a show at the Doug Fir Lounge on the 26th. I look forward to see how her musical energy translates to the stage.

Monday, December 3, 2012

Living Room Performance: The Mavericks "Come Unto Me"

The Mavericks - "Come Unto Me"
2012 Americana Music Festival
Ryman Auditorium, Austin TX



Nashville veterans The Mavericks have been making their unique style of Country-rock for over twenty years. This January the band will be releasing In Time, their first album seven years to coincide with the 20th anniversary of their first major label release. Enjoy this performance of "Come Unto Me", a track you'll find on the new album.

Tuesday, November 27, 2012

Tuesday Double Feature: Alialujah Choir "A House A Home" & The Last Bison "Switzerland"

This week's Tuesday Double Feature includes two videos with Fantastical dream like imagery.

Alialujah Choir - "A House A Home"



This Portland Oregon side project is made up of some of the best folk artist this rain soaked city of ours has to offer. Their dreamy organic music is earthy and comforting. Spaciously sparse and boldly arresting the Alialujah Choir create songs that are beautifuly emotional. Celebrating the recent release of their dedut self-titled album we should expect to see more from this great band.  

The Last Bison - "Switzerland"



This Virginia based band combines elements of alternative rock, folk and chamber music to create wonderfully unique arrangements. With the recent release of their latest EP Inheritance on Republic Records The Last Bison are starting to build momentum. Having made an appearance at this years Musicfest NW, we can only hope that they won't be strangers to the Northwest.

Wednesday, November 21, 2012

From The Shelf: Alabama Shakes - Boys & Girls (2012)


Alabama Shakes
Boys & Girls
ATO Records

Thank God for Brittany Howard and the Alabama Shakes. The soulful blues ache in her voice almost makes you want to cry. If you're like me and was raised on your parents Motown albums, then listening to their debut LP Boys & Girls is like a sweet memory you didn't even know you had. Occasionally affected by coffee shop impulse buying, this is the first album I've bought at a Starbucks that I didn't regret after three tracks. Filled with some of the most emotionally bold soul music to be played in over four decades this album is a must for anyone that loves Aretha Franklin, Carol King or Otis Redding.

From the aching groove of "Hold On" to the driving build of the closing  track this album is an audio time machine through the history of soul. There's the subtle rocking pew sway of the 50's in the title track "Boys & Girls."  "Rise to the Sun" on the other hand personifies the dancing shake of the heyday of 60's soul, while "I Found You" is the strutting gize and attitude rich flavor of Apollo nights of the politically charged 70's.

Stylistically and emotionally rich this album is amazing from start to finish. It has the three element that make all truly great soul music; Amazing instrumentation, a voice that can knock you to the grounds and faith. If the band can stay true to all three of these  facets then they are sure to be with us for a long while and will find the recognition that they truly deserve.   
 

Living Room Performance: Jason Isbell and the 400 Unit "Danko/Manuel"

Jason Isbell and the 400 Unit - "Danko/Manuel"
WorkPlay Birmingham, Alabama
August 17th, 2012



Having launched his career as a songwriting member of the Drive-By Truckers, Jason Isbell has spent the last several years proving his individual greatness as the lead of his own band the 400 Unit. Isbell released his first full-length live album Live From Alabama  just yesterday. So in honor of the occasion we've posted this performance. Enjoy 

Tuesday, November 20, 2012

Tuesday Double Feature: Reckless Ones "Dead & Gone" & The Hillbilly Moon Explosion "My Love Evermore"

This week's Tuesday Double feature feels like it's right out of the Grindhouse Theaters of the 60's and 70's.

Reckless Ones - "Dead & Gone"



This post-apocalyptic video from Minneapolis rockabilly band the Reckless Ones plays like Lance Mungia's Six-String Samurai. This Midwest three piece personifies all that is holy in the rockabilly world: Tattoos, hot-rods and curvacious women worthy of a Petty pin-up calender. Denying the sterile sound of the present these boys wrap themselves in the warm tones of their retro goodness and the world is better for it.

The Hillbilly Moon Explosion - "My Love For Evermore"



Like a David Lynch film this video by Zurich based The Hillbilly Moon Explosion has an off putting high art feel that would make Tarantino jealous. With a brand new album Buy,Beg or Steal filled with the haunting vocals of Emanuela Hutter and the swinging top shelf Americana their known for. This band is expanding it's fan base with leaps and bounds.